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 Woman in the woods and other North American stories (Cautionary Fables And Fairytales)

 Publisher:  Iron Circus Comics (2022)

 Dewey: 398.2
 Classification: Story Collection
 Physical Description: 135 p., ill., 23 cm

 BTSB No: 131132 ISBN: 9781945820977
 Ages: 10-12 Grades: 5-7

 Subjects:
 Native Americans -- North America -- Folklore
 Fairy tales
 Fables
 Gender identity -- Fiction
 Graphic novels

Price: $12.30

Summary:
In this exciting and historical comics collection, some of storytelling's finest talents reimagine folklore from North American tribes with a modern twist. In graphic novel format.

 Editor: McDonald, Kel
Ashwin, Kate
Pete, Alina

Reviews:
   Kirkus Reviews (02/01/22)
   School Library Journal (00/04/22)
   Booklist (03/15/22)

Full Text Reviews:

School Library Journal - 04/01/2022 Gr 5–7—In eight graphic stories or story fragments 11 writers and artists identifying as various combinations of cis, trans, or nonbinary with tribal affiliations ranging from Taíno and Cree to Métis, Chickasaw, Odawa, and Navajo highlight folkloric figures and universal values. In the titular tale, set in south Florida by Mercedes Acosta (Taíno), young Luisa and a mysterious forest neighbor with elaborate skin markings share food and music. In other stories, one child befriends a wolflike "Rougarou" who turns out to be scary but not hostile, another promises a shape-changing lynx spirit not to harm the waters it guards ("No, that's the job of the pale faces."), and a third, wearing a "Trans Pride" T-shirt, climbs into a storyteller's lap to hear how the Creator, feminine and masculine ("Not in parts, but both at the same time.") came to decide that life, "beautiful and messy and complicated," should exist. Cree illustrator Alina Pete incorporates Northwest Coastal images and motifs into Jeffrey Veregge's (Port Gamble S'Klallam) pourquoi tale of how bioluminescence came to the sea due to the Moon's love for Octopus Woman, but in general the monochrome art is done in individual rather than traditional styles, with clothing and other details a mix of modern casual and culturally specific. The entries vary widely in narrative and visual finish, and there are no source notes for those that aren't original. Still, each contributor gets an introductory paragraph at the end. VERDICT Of interest more for the contributors than the content but a unique showcase for some new and up-and-coming Native American talents.—John Edward Peters - Copyright 2022 Publishers Weekly, Library Journal and/or School Library Journal used with permission.

Booklist - 03/15/2022 This fifth installment in the Cautionary Fables and Fairytales series revolves around North American Indigenous stories, all written by Native authors and artists. As with any collection, some stories are more successful than others. Standouts include a fable about the origin of bioluminescence in Puget Sound, drawn in a style that compellingly incorporates traditional Pacific Northwest form-line art; and a tense ghost story, filled with expressive faces and soft yet precise inking, that centers on an eerie close encounter with a shape changer. The stories all steer clear of the usual folktales, focusing instead on lesser-known mythical figures, and they span a wide range of time periods and geographic areas. On the whole, the stories nicely showcase the rich variety of Indigenous perspectives, cultures, and communities throughout the continent. Especially where graphic-novel adaptations of folktales and fables are popular, this will be a strong addition to comics collections and an ideal pairing with Esperón and Mijangos' Batchelder Honor book, The Sea-Ringed World (2021). - Copyright 2022 Booklist.

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